MET OPERA SERIES
FROM FATHOM EVENTS
MET OPERA SERIES
Fathom Events presents the 2022-2023 Met Opera Series.
Saturday, December 10th at 12:55 PM
Soprano Renee Fleming makes her highly anticipated return to the Met in the world-premiere production of Pulitzer Prize–winning composer Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel. Inspired by Virginia Woolf’s Mrs. Dalloway and made a household name by the Oscar-winning 2002 film version starring Meryl Streep, Julianne Moore, and Nicole Kidman, the powerful story follows three women from different eras who each grapple with their inner demons and their roles in society. The exciting premiere radiates with star power, with soprano Kelli O’Hara and mezzo-soprano Joyce DiDonato joining Fleming as the opera’s trio of heroines. Phelim McDermott directs this compelling drama, with Met Music Director Yannick Ne?zet-Se?guin on the podium to conduct Puts’s poignant and powerful score.
Saturday, January 14th at 12:55 PM
Umberto Giordano’s exhilarating drama returns to the Met repertory for the first time in 25 years. Packed with memorable melodies, showstopping arias, and explosive confrontations, Fedora requires a cast of thrilling voices to take flight, and the Met’s new production promises to deliver. Soprano Sonya Yoncheva, one of today’s most riveting artists, sings the title role of the 19th-century Russian princess who falls in love with her fiance?’s murderer, Count Loris, sung by star tenor Piotr Beczala. Soprano Rosa Feola is the Countess Olga, Fedora’s confidante, and baritone Artur Ruci?ski is the diplomat De Siriex, with much-loved Met maestro Marco Armiliato conducting. Director David McVicar delivers a detailed and dramatic staging based around an ingenious fixed set that, like a Russian nesting doll, unfolds to reveal the opera’s three distinctive settings—a palace in St. Petersburg, a fashionable Parisian salon, and a picturesque villa in the Swiss Alps.
Saturday, March 18th at 12:00 PM
Wagner’s soaring masterpiece makes its triumphant return to the Met stage after 17 years. In a sequel to his revelatory production of Parsifal, director Franc?ois Girard unveils an atmospheric staging that once again weds his striking visual style and keen dramatic insight to Wagner’s breathtaking music, with Music Director Yannick Nezet-Seguin on the podium to conduct a supreme cast led by tenor Piotr Beczala in the title role of the mysterious swan knight. Soprano Tamara Wilson is the virtuous duchess Elsa, falsely accused of murder, going head to head with soprano Christine Goerke as the cunning sorceress Ortrud, who seeks to lay her low. Bass-baritone Evgeny Nikitin is Ortrud’s power-hungry husband, Telramund, and bass Gunther Groissbock is King Heinrich.
Saturday, April 1st at 12:30 PM
Baritone Michael Volle stars as the caddish knight Falstaff, gleefully tormented by a trio of clever women who deliver his comeuppance, in Verdi’s glorious Shakespearean comedy. Maestro Daniele Rustioni takes the podium to oversee a brilliant ensemble cast that features sopranos Hera Hyesang Park and Ailyn Pe?rez, mezzo-soprano Jennifer Johnson Cano, contralto Marie-Nicole Lemieux, tenor Bogdan Volkov, and baritone Christopher Maltman.
Saturday, April 15th at 12:00 PM
A dream cast assembles for Strauss’s grand Viennese comedy. Soprano Lise Davidsen is the aging Marschallin, opposite mezzo-soprano Isabel Leonard as her lover Octavian and soprano Erin Morley as Sophie, the beautiful younger woman who steals his heart. Bass Gunther Groissbuck returns as the churlish Baron Ochs, and baritone Markus Bruck is Sophie’s wealthy father, Faninal. Maestro Simone Young takes the Met podium to oversee Robert Carsen’s fin-de-siecle staging.
Saturday, April 29th at 12:55 PM
Six-time Grammy Award–winning composer Terence Blanchard brings his first opera to the Met after his Fire Shut Up in My Bones triumphantly premiered with the company to universal acclaim in 2021. Bass-baritone Ryan Speedo Green is the young boxer Emile Griffith, who rises from obscurity to become a world champion, and bass-baritone Eric Owens portrays Griffith’s older self, haunted by the ghosts of his past. Soprano Latonia Moore is Emelda Griffith, the boxer’s estranged mother, and mezzo-soprano Stephanie Blythe is the bar owner Kathy Hagan. Yannick Ne?zet-Se?guin takes the podium for Blanchard’s second Met premiere, also reuniting the director-and-choreographer team of James Robinson and Camille A. Brown.
Saturday, May 20th at 12:55 PM
Tony Award–winning director Ivo van Hove makes a major Met debut with a new take on Mozart’s tragicomedy, re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the dark corners of the story and its characters. Maestro Nathalie Stutzmann makes her Met debut conducting a star-studded cast led by baritone Peter Mattei as a magnetic Don Giovanni, alongside the Leporello of bass-baritone Adam Plachetka. Sopranos Federica Lombardi, Ana Mari?a Marti?nez, and Ying Fang make a superlative trio as Giovanni’s conquests—Donna Anna, Donna Elvira, and Zerlina—and tenor Ben Bliss is Don Ottavio.
Saturday, June 3rd at 12:55 PM
One of opera’s most beloved works receives its first new Met staging in 19 years—a daring vision by renowned English director Simon McBurney that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.” Nathalie Stutzmann conducts the Met Orchestra, with the pit raised to make the musicians visible to the audience and allow interaction with the cast. In his Met-debut staging, McBurney lets loose a volley of theatrical flourishes, incorporating projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro.